Pinball

This happened when I loaded two old samples (the drum and wah'ed guitar) into an app for the monome called mlrv that lets me jump to any point on the sample and play back bits of by pressing buttons.  Each row on the grid controller represents the sound wave which will play from left to right and then loop back to the start.  I played around with this for a while before adding in the synthesizer bit from an iPhone app called Bebot (which I highly recommend).  Once I had noodled around on this for a while I picked a segment I liked and started chopping and cutting it up. I didn't start calling it Pinball until getting some distance from it but the bouncing video arcade feel of this recording always reminds me of old pinball machines.

Lumpkin vs Zobrist

This piece started with some field recording of a very talented musician and drummer named Joel Zobrist.  Joel plays drums at my church occasionally and always blows me away with his loose, improvised, immediate style.  I caught him one day before he tore down his kit and asked him to just play a bit.  I recorded a few samples on my phone, one of which is the main loop featured here.

From there, I used the monome app called Polygome which allows you to play a collections of arpeggiated notes in a given scale and to vary the pattern and pitch based on which buttons you play on the grid controller.  I used an electric piano software instrument to play the notes output by polygome. 

I really enjoyed the contrast between the loose swing of the drums and the mechanical precision of the notes but I wanted to add more humanity to it so I pulled out a ukulele, threw an old Wolensank microphone into the sound-hole and started improvizing.  I kept a few loops and sequenced them within the  song.  As it goes on I began applying more layers of polygome, some double the tempo building urgency before they go careening off the rails, stuttering and failing through a beat-repeat effect.

You Were Here

This piece is really all about the creation of sonic space.   I was playing around with a synth sound that reminded me of the synth sample on Radiohead's "Idioteque," chords morphing into one another as notes slide independently.

I rarely sing in my electronic music but occasionally I get so into the sound/space that I've built that I find myself humming or singing notes in spite of myself.  This time I picked up the same cheap mic, ran it through an amp simulator with a bit of reverb and started recording layers of harmonies (and dissonances!) along with the droning synth.  One friend said it sounded like moose mating calls.  The drum track is made up of entirely of sounds recorded from beating on guitars in one way or another.  This came last.

Ashtabula

This is another piece composed of old guitar recordings chopped up and resequenced through mlrV on the monome.  Ashtabula is a street near my house.  The word just always has such a lovely internal rhythm.

You Were Here

September 16th - October 14th

I grew up in the pastures of Arkansas where I discovered I could use a discarded church mixer and microphone to capture everything from distorted speed-metal riffs to thunderstorms. Using a software suite called Fruity Loops, I started building goofy little songs. I also began exploring music by other electronic artists like Moby, the Chemical Brothers, DJ Shadow  and Prefuse 73; each new sound was a mystery to reverse engineer.

The sonic palette available through electronic music is simply unmatched.  Each composition is a painting of loops and layered sounds. Just as my visual art is focused around variations on the theme of human faces in all their subtlety, this music is about creating a mood or a movement that conveys joy, angst, frustration, foreboding, relief, or relaxation. Many of my samples come from other musicians who record their practice sessions for me. Some are friends, and others are people on the other side of the planet whom I've never met.  Electronic music has taken me from the seclusion of capturing thunderstorms in the pastures of Arkansas and connected me to people around the world.

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4 Responses to "You Were Here"

  1. Matt—this music is so interesting. I heard you first on the Brehm event night at Judson studios and have been intrigued since then. So glad you did this installation so that I could have a chance to spend some quality, focused time in these sounds. Beautiful, really. I’m passing this link along. Thank you.

    by lauralee Farrer on Sep 25th, 2011 at 1:20 am
  2. I love this music very much, thanks for the sharing.  I also love this picture on the article, it’s very impressive. statinternet

  3. wonderful really

  4. What an awesome arts indeed. Really I surprised to see that exceptional gallery show.  Hopefully everyone like this wonderful pics. Police DVR thanks!

    by Daniel Anthony on Mar 29th, 2012 at 8:04 am
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